With her hair styled in a glamorous Farrah Fawcett bouffant, the singer-songwriter stole the show at the Grammy Awards, not just with her music but also with a custom ensemble from Maison Margiela that commanded attention.
The house proudly declared that the creation required an astounding "675 hours of meticulous work." This metallic marvel, reminiscent of both a 1920s flapper and an Egyptian goddess, featured pins artfully arranged to resemble a collar and undergarments, showcasing the intersection of vintage inspirations.
The creative maestro behind this avant-garde attire, John Galliano, seemed to delve into his own design archives, with social media buzzing about the parallels between Cyrus' daring gown and pieces from the designer's Fall 1997 ready-to-wear collection.
The singer effortlessly completed her red carpet look with a pair of yellow tabis, those split-toe shoes that have become a cult favorite among Margiela aficionados.
Maison Margiela has been the talk of the town lately, particularly after their couture show in Paris featuring actor Gwendoline Christie. Critics lauded the event, and the "china doll" makeup created for the show went viral, sparking endless speculation about its execution.
Although legendary makeup artist Pat McGrath, the creator of that look, was involved in Cyrus' appearance, the "glass skin" from the Margiela runway was eschewed. Instead, fellow makeup artist James Kaliardos used McGrath's products to craft a sun-kissed look with winged eyeliner, aiming to make Cyrus "glow like a golden goddess."
The pop star's tresses, a spectacle of their own, were masterfully sculpted by hair stylist Bob Recine. Crafting dramatic curls from Cyrus' highlight-streaked brown locks, Racine drew comparisons to the iconic styles of her godmother, Dolly Parton. In a departure from the wet look of the previous year, Recine aimed for dry, voluminous, tousled, and touchable hair that exuded sexiness.
However, the gold safety pin creation was just one of Cyrus' five outfit changes throughout the awards. Later in the evening, she dazzled in a glittery black jumpsuit to accept her Best Pop Solo Performance award from the legendary Mariah Carey.
For her performance of "Flowers," Cyrus switched to a vintage silver flapper-style dress, a nod to Tina Turner and designed by the legendary Bob Mackie.
Backstage, her fourth look featured a strapless black lace jumpsuit with a marabou feather jacket.
Miley Cyrus not only dominated the Grammy stage with her musical prowess but also left an indelible mark as a style icon, seamlessly transitioning from one show-stopping look to another throughout the night.
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